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≡ PDF Free Responding Bernice Strawn Sue Mills 9781503384378 Books

Responding Bernice Strawn Sue Mills 9781503384378 Books



Download As PDF : Responding Bernice Strawn Sue Mills 9781503384378 Books

Download PDF Responding Bernice Strawn Sue Mills 9781503384378 Books

Contemporary sculpture by Bernice Strawn and a "response" to each from Sue Mills. 18 color plates.

Responding Bernice Strawn Sue Mills 9781503384378 Books

In “Responding,” accomplished sculptress, Bernice Strawn, displays bold and colorful arrangements of sticks, weathered wood, and castaway pieces of last-century detritus to create compelling testimonies to imagination.

Her friend and “Responding” collaborator, Sue Mills, a self-confessed art-world neophyte, describes each of Strawn's sculptures with unabashed, well written enthusiasm, as if she really were qualified, as if she were someone other than, as she put it, “… an art “Everyman”.”

This juxtaposing of the artist's refined and matured expertise and the writer's art-world naïveté invites all who open the cover to risk their own innocent explorations of what they see.

“The artist,” Bernice says, “should resist insisting on her own interpretation of her work. The interpretation grows, extending its purpose, getting beyond what the artist thought.”

“Responding to art,” Sue counters, “is individual. Yet if we follow the threads, they weave an intricate tapestry with each response equally important to the design.”

“Responding,” the book, mixes a marvelous aperitif of visuals and words. Doing so creates an enticing prospect for those with the hutzpah to see the world in new ways.

Product details

  • Paperback 48 pages
  • Publisher CreateSpace Independent Publishing Platform (January 18, 2015)
  • Language English
  • ISBN-10 1503384373

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Responding Bernice Strawn Sue Mills 9781503384378 Books Reviews


In “Responding,” accomplished sculptress, Bernice Strawn, displays bold and colorful arrangements of sticks, weathered wood, and castaway pieces of last-century detritus to create compelling testimonies to imagination.

Her friend and “Responding” collaborator, Sue Mills, a self-confessed art-world neophyte, describes each of Strawn's sculptures with unabashed, well written enthusiasm, as if she really were qualified, as if she were someone other than, as she put it, “… an art “Everyman”.”

This juxtaposing of the artist's refined and matured expertise and the writer's art-world naïveté invites all who open the cover to risk their own innocent explorations of what they see.

“The artist,” Bernice says, “should resist insisting on her own interpretation of her work. The interpretation grows, extending its purpose, getting beyond what the artist thought.”

“Responding to art,” Sue counters, “is individual. Yet if we follow the threads, they weave an intricate tapestry with each response equally important to the design.”

“Responding,” the book, mixes a marvelous aperitif of visuals and words. Doing so creates an enticing prospect for those with the hutzpah to see the world in new ways.
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